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c. 1445 – May 17, 1510. Italian painter.

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Ernst Gustav Doerell
A View of the Doubravka from the Teplice Chateau Park

ID: 88573

Ernst Gustav Doerell A View of the Doubravka from the Teplice Chateau Park
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Ernst Gustav Doerell A View of the Doubravka from the Teplice Chateau Park


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Ernst Gustav Doerell

painted A View of the Doubravka from the Teplice Chateau Park in 1832 - 1877  Related Paintings of Ernst Gustav Doerell :. | Jesus feed | Aristotle and Phyllis | The Red Tower in Halle (mk09) | The Family of Charles IV | Maria mit dem Jesuskind am Kamin |
Related Artists:
Sophie Adlersparre
Swedish, 1808-1862
Marinus van Reymerswaele
Flemish Northern Renaissance Painter, ca.1490-1567 South Netherlandish painter. He has been identified with Marino di Sirissea and with Marinus de Seeu, painter of Romerswaelen, mentioned respectively by Guicciardini and van Mander. He could quite possibly have been Moryn Claessone, native of Zeeland, who enrolled as a pupil of 'Simon the glassmaker' in the Antwerp Guild of St Luke in 1509. In that case he would have been born c. 1490-95. Claes van Ziericsee, an artist who became master of the Guild in 1475, is assumed to have been his father though this cannot be proved conclusively. Van Reymerswaele's work corresponds closely with Antwerp painting of the beginning of the 16th century
SWANEVELT, Herman van
Dutch Baroque Era Painter, ca.1600-1655 Dutch painter, draughtsman and etcher, active in France and Italy. His first signed and dated works are two views of Paris dated 1623 (Brunswick, Herzog Anton Ulrich-Mus.). He was in Rome from 1629 to 1641. His earliest dated painting there is an Old Testament Scene (1630; The Hague, Mus. Bredius; see fig.), a compositional formula that he often used, with some variations, in Rome. A flat, low foreground is closed on the left by a house and a tree; on the right is a distant hilly scene; and groups of figures are disposed horizontally. This design, derived from Cornelis van Poelenburch, is well suited to van Swanevelt's many landscapes with biblical and mythological subjects. The large tree extending beyond the frame gives a monumental touch to the composition.






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